Art Pro Vla Ii Tube Compressor
In link mode, ch1 output control acts as a master output level and ch2 becomes a balance control. Both units have respectable (and nearly identical) noise and frequency response specs.
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The pro vla ii is designed to excel in tracking, mixing, mastering, live sound, or broadcast situations.
Art pro vla ii tube compressor. The art pro vla ii is an indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio. I recently bought the art pro vla ii stereo tube compressor for my studio. One device that uses this circuit is the art pro vla ii compressor reviewed here.
Art pro vla ii tube swap. It's got both xlr and 1/4 trs connections for inputs and outputs and is made up of analog parts. Superior performance and an incredible tone makes the provla ii and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.
Art pro vla ii sound on sound. In researching this compressor i ended up at gearslutz multiple times. Art pro vla modification reviewed by john baccigaluppi revive audio is a small company based in boise, idaho, that makes boutique audio gear under the vintage audio name [msl vca bus compressor, tape op #102 ] and also modifies a wide range of moderately priced gear.
The absence of a master channel with the stereo link engaged. One device that uses this circuit is the art pro vla ii compressor reviewed here. The art pro vla ii.
Variable ratios that range from 2:1 to 20:1 allow the unit to work both as a compressor or a limiter. Art's pro vla (tape op #37) is one of the best compressors ever made at its price point. Superior performance and an incredible tone makes the provla ii and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.
1 hours ago soundonsound.com more results. You can pick one up new for under $400. A 12ax7 or lower output 12at7 in the vla, or a 12at7 in the vla ii).
This compressor has a very warm and pleasing sound, but it has also one problem: Over and over i was reading that you must change the tubes. The pro vla ii may be used as either a compressor or a limiter with all of the following:
Here is a snapshot in my rack: The art pro vla ii may be used in a wide variety of applications and environments. Mixing, mastering, live sound, tracking, and even broadcasting.
It’s one of the most affordable compressors on the market and packs a ton of features in a sturdy 2 space rack. So i've decided to sell that compressor and to try another opto compressor with a tube gain stage in the output section: It is a rack mountable piece of gear and will take up two spaces in a traditional rack case.
The pro vla ii is designed to excel in tracking, mixing, mastering, live sound, or broadcast situations.
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